Today in History: November 22
America's leadership must be guided by the lights of learning and reason or else those who confuse rhetoric with reality and the plausible with the possible will gain the popular ascendancy with their seemingly swift and simple solutions to every world problem.
President John F. Kennedy,
Remarks Prepared for Delivery at the Trade Mart in Dallas, November 22, 1963 (external link)
On Friday, November 22, 1963, President John F. Kennedy was shot as he rode in a motorcade through the streets of Dallas, Texas; he died shortly thereafter. The thirty-fifth president was forty-six years old and had served less than three years in office. During that short time, Kennedy and his wife, Jacqueline Bouvier Kennedy, became immensely popular both at home and abroad.
For the next several days, stunned Americans gathered around their television sets as regular programming yielded to nonstop coverage of the assassination and funeral. From their living rooms they watched Mrs. Kennedy, still wearing her blood-stained suit, return to Washington with the president's body.
Many witnessed the November 24 murder of accused assassin, Lee Harvey Oswald. Viewers also followed the saddled, but riderless, horse in the funeral cortege from the White House to the Capitol where Kennedy lay in state. They saw the president's young son step forward on his third birthday to salute as his father's coffin was borne to Arlington National Cemetery.
Arlington National Cemetery, Cemetery Gates in Autumn,
Theodor Horydczak, photographer,
Washington as It Was: Photographs by Theodor Horydczak, 1923-1959
Television played a significant role in the collective mourning of American society. For the first time, the majority of citizens witnessed the ceremonies surrounding the death of a beloved leader, creating a shared experience of the tragedy. Even now, television programming maintains public memory of the assassination by transmitting vivid images from those difficult days to successive generations.
Despite this intimate experience of events surrounding the death of John F. Kennedy, the nation failed to achieve closure. Oswald never confessed, and the facts of the case remain mysterious. The Warren Commission's conclusion that Oswald acted alone failed to satisfy the public. In 1976, the House of Representatives' Select Committee on Assassinations reopened investigation of the murder. The Committee reported that Lee Harvey Oswald probably was part of a conspiracy that may have involved organized crime.
Interest in the assassination remains acute. Congress enacted the President John F. Kennedy Assassination Records Collection Act on October 26, 1992. Signed by President George H. W. Bush, the legislation opened most government records to the public and facilitated use by designating the National Archives and Records Administration sole repository of government files pertaining to the assassination.
For more information on the Kennedy presidency and assassination:
- Search the Today in History Archive on Kennedy for additional features about John F. Kennedy. The feature for October 21 centers on the Nixon-Kennedy debates of 1960. Six million viewer-voters watched the presidential hopefuls address issues of the day.
- Search the collection "I Do Solemnly Swear…": Presidential Inaugurations on President John F. Kennedy to retrieve images and documents related to the president’s inauguration.
- The online exhibition Revelations from the Russian Archives provides new insight into a significant moment in the Kennedy presidency—the Cuban Missile Crisis.
- Search THOMAS on the term Kennedy Records to retrieve Public Law 105-25 extending the 1992 President John F. Kennedy Assassination Records Collection Act. The Committee Report attached to this legislation provides background information about the original act.
- Visit the online guide to John F. Kennedy Assassination Records Collection available at the National Archives and Records Administration site.
- Visit the John F. Kennedy Library and Museum (external link) to find additional resources for John F. Kennedy and the Kennedy family.
Costumes of All Nations – Image 14 (Lillian Russell)
W. Duke Sons & Co.,
The Emergence of Advertising in America: 1850-1920
On November 22, 1880, "Lillian Russell" made her debut at Tony Pastor's Theatre in New York City. Within weeks, the beautiful blonde added a prominent role in The Pie-Rats of Penn Yann to her stage credits. This spirited travesty of Gilbert and Sullivan's The Pirates of Penzance made Lillian Russell an instant star. For the next thirty-five years, Russell maintained her position as one of the first ladies of American musical theater.
Born Helen Louise Leonard in 1861, she was "Nellie" to her family—her father, an easygoing newspaperman, her mother, an ambitious social reformer and crusader for women’s rights, and four sisters. Trained in music and foreign languages, in the late 1870s she moved with her mother from Chicago to New York in order to receive advanced voice instruction. Soon, she met Tony Pastor, the vaudeville impresario who transformed the slightly seedy variety format into respectable family entertainment. Having previously only made appearances as a chorus member, Nellie Leonard, with guidance from Pastor, became "Lillian Russell, The English Ballad Singer." She was seen at Tony Pastor's by almost everyone in New York—except her mother.
"For more than a month I succeeded in appearing in Tony Pastor's every night, without my mother receiving so much as an inkling of my new occupation. This was easier than it sounds because mother was a busy woman…But one night at dinner I had a sudden premonition that something was wrong. I raised my eyes and found the glance of a newspaperman who lived in the same house…"Mrs. Leonard," he said, "do you know that there is a girl named Lillian Russell, who sings at Tony Pastor's Theatre, who looks enough like your little Nellie to be her sister?"..Lillian Russell
Charles W. Stein, ed. American Vaudeville As Seen By Its Contemporaries (New York: Knopf, 1984), 13-14.
Assured that Tony Pastor's Theatre was "respectable," Mrs. Leonard accepted the newspaperman’s invitation to see the show and joined in the thunderous applause following her daughter's performance.
Hearing her sing in The Pie-Rats of Penn Yann, Sir Arthur Sullivan pressured Russell to leave Tony Pastor's for an equivalent role in the legitimate production. She refused to break her contract with Pastor. By 1888, Russell commanded $20,000 a year headlining the Casino Theatre in New York City. There she took on some of her most acclaimed roles including Gabrielle Dalmont in An American Beauty—a title that became her soubriquet.
Entering her second decade on the stage, Russell was as popular as ever. Touring with the Casino company made Lillian Russell a household name. The turn of the century found Russell older and fuller of figure, though still highly paid and much in demand. In 1899, she moved away from light opera and toward vaudeville by joining Lew Fields and Joe Weber's theatrical company. At the Weber and Fields Music Hall, and with their touring company, she starred in productions including Whirl-i-Gig, Hoity-Toity, and Whoop-Dee-Doo.
"The Maid of Timbuctoo,"
Words by J. W. Johnson; music by Bob Cole, 1903.
African-American Sheet Music, 1850-1920: Selected from the Collections of Brown University
Whoop-Dee-Doo starred Russell as a French countess who purchases art for American millionaires. At one point in the play she sings the Johnson and Cole song "The Maid of Timbuctoo." From 1901 to 1906 poet James Weldon Johnson frequently produced popular songs with composer Bob Cole. Joe Weber and Lew Fields are pictured in the upper corners of the title page of "Maid of Timbuctoo." Whoop-Dee-Doo was the vaudeville team's last collaboration for several years.
One of America's first celebrities, the public was as fascinated with Lillian Russell's private life as they were enchanted by her stage presence. Although her solid middle-class background and lady-like demeanor helped elevate the social status of entertainers, Russell's four marriages (one to a bigamist), her rumored affairs with Diamond Jim Brady and the Great Sandow, and her appetite for food and jewelry added to her notoriety.
After marrying prominent Republican Alexander P. Moore in 1912, Russell increasingly focused on politics. She presided over opening of Progressive Party headquarters in Pittsburgh, sold Liberty Bonds during World War I, and campaigned for Warren Harding in the 1920 election.
Lillian Russell died in 1922 shortly after completing a fact-finding mission to Europe on behalf of President Harding. She was buried with full military honors.
Learn more about American entertainment:
- The American Variety Stage: Vaudeville and Popular Entertainment, 1870-1920 illustrates the vibrant and diverse forms of entertainment, especially vaudeville, that thrived at the turn of the century. Search the collection on Weber and Fields to view a Pictorial Souvenir from 1901 and a program from an 1898 production of Hurley Burley.
- Look at one of Russell's signature songs, "The Silver Line." Written by Russell's second husband, Edward Solomon, "The Silver Line" is available through the collection Music for the Nation: American Sheet Music, 1870-1885.
- Visit the collection Inventing Entertainment: the Early Motion Pictures and Sound Recordings of the Edison Companies to access over 400 motion pictures and sound recordings intended for turn-of-the-century audiences. Browse the collection by title or search by keyword for something of interest.
- Read Today in History features on Russell's show business contemporaries including impresario Florenz Ziegfeld, Jr., escape artist Harry Houdini, and "Father of the Blues" W.C. Handy. Search the Today in History Archive on the term entertainer to read about a host of other stage and screen personalities.
- The Library’s Music Division houses a broad and diverse collection reflecting all aspects of western music history. A glimpse at these vast collections is found in the Performing Arts Encyclopedia. One can find descriptions of the Library’s collections on vaudeville and musical theater.